Friday, December 19, 2014

Into Havana


Into Havana




“China, not Taiwan?” The customs officer stares at me suspiciously. With a Castro-style mustache, curly dark hair, broken English and a wrinkled seasoned face, he does not look as hostile as other customs officers I have encountered. Still, the question makes me nervous.
    “Yes, sir. But I live in California, and I am just visiting Cuba as a tourist." I speak in English as slowly as I can. He looks back at my passport and starts to thump through every single page as if he is in a slow-motion picture. James is standing about ten yards away on the red line that separates the check station from the enthusiastic passengers. He is looking in my direction anxiously, trying to figure out what is going on. The visa check station opens to the new airport terminal but is sealed away from the customs by a wall.
    The officer closes my passport and is checking my visa application. Come on. My socialist brother. Just let me through. You do not doubt that I am a spy or something, would you? He suddenly stands up and tells me to wait. Then he disappears behind the door. James is witnessing my frustration and shouts at me: "What's wrong?"
    "I don't know!" I shrug. I am used to the humiliation at customs. Every time I visit a foreign country, I am always scrutinized so carefully as if I am the most wanted smuggler. "This happens to me all the time." I walk back to the line and tell James, "My passport is the most useless piece of shit in the world."
    It may be only five minutes, but it feels like forever. James and I had planned the trip for months. When we finally got on the plane in Cancun, we still could not believe we were actually heading to Cuba. Visiting Cuba for us was not only an adventure to the exotic, but also to the forbidden. James has a long history of political activism. It dated back to the Berkeley years when he got involved with the left-wing groups. During his senior year, he went to Spain and squatted with a group of anarchists in Barcelona. After graduation he has been working at various non-profit organizations. Compared to James' youthful and romantic vision of socialism, I am holding a much more pragmatic view on the world. 
      The officer finally returns with another female officer. Her green uniform can not hide her bosomy figure, which reminds me of the Cuban volleyball players who used to compete with Chinese and became household names in China. She tells me in fluent English that I have to show hotel reservation for the visa, all because I am a citizen of China. 
     "Really?" I start to panic. "I did not know that at all…does that mean I can not get in at all?"
      She exchanges a look with the male officer and tells me that I can make reservation at the airport. James has overheard our conversation and is already checking out his Lonely Planet guide. “What about St John’s? Tell them we will stay at the St John’s.” Back home we did a lot of research and collected a few addresses of private houses where we could stay in Havana. We also singled out a few cheap hotels in case the private houses did not work. I vaguely remember that St John’s charged about $25 a night.
     The female officer obviously has heard what James has suggested. She shakes her head and says that St John’s is under construction. Then she seems to have lost the interest in me and walk away without one more word. The male officer raises his eyebrow and gives me an expression as if he could do nothing else but sympathize with me. He then stamps the tourist visa and reminds me: “Oficina de turismo, Si?” 
      “Si! Si!” I nod my head to act in my humblest manner. He is mumbling more but I can not understand him at all. After he hands the passport back to me, I make a signal to James and walk through the door of the check station as quickly as I can. When James comes through I say: “Listen, we already have our visa stamped, right? I think we can just skip the tourist office and sneak out of the airport. We should try to stay in the private houses since they are a lot cheaper.”
      “Are you sure they won’t stop us and give us trouble?” James asks. Sometimes I wonder how he can be an anarchist when he is so aware of law and police power. Maybe that is exactly why he has the anarchistic tendency. My own socialistic wisdom has told me that rules are flexible in front of real people, and there is always a way to get around if you know the right person and the right trick. “But, it would be so much more interesting to stay in a real Cuban house.” James says.
  
We pick up our luggage and go through the custom stations quickly. As soon as we get out, we see the same male custom officer waiting outside. He comes over to us and eagerly leads us to the tourist office. There is nothing else I can do but follow him. I may have been horrified by stories from American media that paints any type of communism as a totalitarian nightmare, or I may just know how to be more resilient due to my experience in another repressive regime. James is obviously a little bit upset about the officer’s sudden appearance.  However, he keeps quiet.
     The tourist office turns out to be a little room right near the airport exit. A simple wood desk and two chairs almost take up the entire space. The only clerk, who dresses like a slick investment banker (although the suit looks cheap), greets us with a friendly but not quite sincere smile. I notice his white teeth. “Welcome to Cuba.” he grins again and takes out a rumpled photo album with pages of plush-looking hotels. “We have great hotels in Cuba.” He points to one of most opulent ones, “Hotel Nacional, the most fabulous in Havana. Air condition, swimming pool, Cabaret, Only $250 per night.”
     Gosh. We are just running away from the glitzy consumerism, IPO magic and Silicon Valley greed. We are not coming here to splurge and show off our incredible fortune! Can’t he tell we are budget back-packers? I immediately shake my head, although in the picture, the Hotel Nacional looks stunningly beautiful. “Too expensive, sir. We definitely want something cheaper. What is the lowest price you have?”
     “Hm...” The guy winks at the custom officer while he seems to be going through the hotel album with considerable efforts. The custom officer has taken off his cap and is sitting next to the desk patiently. “Well, I need to make a few phone calls and find out the availability.” The guy says.
      James is now checking the hotel listing in his guidebook and trying to find some bargains. I look out to the lobby and take a limited glimpse of its bustling scene. The airport looks modern enough to put on a good face for tourists, and there are quite a few well-lit bulletin boards advertising beach resorts and guided tours. A large TV screen was flashing decadent Discos and huge hotel complexes in Veradero, which looks just like Cancun or any Caribbean resorts surviving on tourism. With all these gadgets, the atmosphere somehow does not feel exuberant enough, as if something is missing.   
    The clerk finally comes back and shows us the picture of Hotel Capri, a high rise standing against blue sky and costs $80 dollars per night. Still way out of our budget. We have heard that private house costs  $15 in Havana, and a Cuban teacher typically earns $20 per month. What an extravagance it would be to spend one person’s four-month wage for one night in a hotel?  
     “That’s still too much. Can you get a cheaper one?” I beg.
    He shakes his head without hesitation. “This is summer. Everything gets full very quickly. You are lucky to find this one.”
    "Really, sir, we did not bring enough cash to stay in a hotel like this." I am giving my last try. James stands behind me. He says that Chinese are always good at bargaining, and he often drives me nuts paying whatever price is asked. 
    The clerk comes closer to me and whispers: "Don't say you have no money. It does not look good. See our officer there? He would not let you go unless you pay your reservation right here." I look at the custom officer. He still sits there, expressionless, on duty. I realize they may be collaborating to cheat on us. Maybe the officer gets part of commission. Fidel Castro often brags about how uncorrupted his government is. But who knows? 
    James has already lost his patience. He rushes me: "It is just money and we can easily make it back in US. Let's just pay and get out."
    I tell them we are only staying in Havana for a week and will spend the rest of the time in the provinces. After all the negotiation we have settled for payment of six nights. When I hand the stack of $20 dollar bills to the clerk, I notice that the custom officer is staring at the money as his eyes suddenly sparkle. That could be more than three years' salary for him. He puts his cap back on his head and writes down Hotel Capri on our original visa application forms. At the same time the clerk zips the money in a black portfolio and mounts his final smile on his face: "Thank you. Enjoy Havana."

The cab is driving us into Havana. "Hotel Capri," James reads aloud from the front seat. "According to the guide book, still retains the flavor of the 50's even though the gambling casino closed in 1959 and mafia notables from Miami no longer frequent the roof-top swimming pool."
    "So what? It is eighty bucks per night!" The airport episode still haunts me. Outside the window is the fleeting view of Havana suburbs: Mango trees, old Chevy cars roaring by, drab, identical-looking apartment buildings, children playing soccer in the field.
    "Forget it, ok? We are in Cuba now! This will be a great trip." His face beams with childish excitement and infectious happiness. It has made him rather charming and lovable. After all, the whole drama at the airport is my fault, my country's fault. Even Cuba treats me differently as a second-class citizen. Does James understand my anger?
    I pat James's shoulder from the behind and say: "Have you noticed all the black bicycles, noticed how sturdy they are? That is exactly the same kind of bike I used to ride to school everyday in China."
    "Neat!" James is taking a closer look at the passing bicycles. "I heard only the model worker gets a Chinese bike as a reward. After the Soviets pulled the plug, these bikes saved Havana."
    "They are heavy but very practical." I say. "I used to carry my friends on the back all the time."
    "Yummy. Two Chinese boys on a Chinese bike." James jokes. I make a face and decide to ignore him. I am not sure whether I am mad at his third-world fetish or his naivete or both. James and I met a year ago in a party. He was wearing a plain-colored sweater and white sneakers, with his dark brown curls tending toward unruliness. I thought he could be some kind of permanent graduate student. I remember we talked about traveling and poetry, but my real intention was to woo him. He turned out to be quite an avid reader and had a passion for every subject. His upbringing in a professor's family easily explained his earthly and intellectual outlook. After a few dates we decided to be boyfriends.
    "Look, look." James turns back again. "See those kids on the street? See the red ties around their necks? That is really cute."
    "They are called young pioneers." I say. "Looks like all the socialistic countries have the same thing. The red represents the blood of the revolutionaries. I joined the young pioneers when I was seven. In the ceremony we have to salute and swear in front of a red flag."
    "Wow. That's cool. Kind of like our boy scouts. What did you swear?"
    "Like carrying out the course of our martyrs and being selfless."
    "I wish I knew you then."
    I look at James and think, why do we always want to live a life we have not lived? I never told James that when I first came to the States I wished I could have been a real American, could have watched all the cartoons they had watched, could have listened all the music they had listened, and could have possessed all the toys they had possessed. But even if I told him all about my life, my childhood, could he really know me? Could he imagine what it was like growing up in China?
    "I was such a serious kid." I decide to make the story a bit more fantastic. "I worked so hard in order to be admitted into young pioneers. On the night before the ceremony I was so excited that I could not go to sleep."
    "Now you are all jaded." James jokes again. He has that goofy sense of humor that takes awhile to get used to.
    "Yeah. I have grown up, while you, my boy, you are still in a dream."
    "What's wrong with that?" James defends, then he suddenly screams again. "Look. Che!" I look outside and see Che's gigantic portrait hanging against a building in front of the Plaza de la Revolucion. It is the same portrait that has become an icon all over the world and inspired millions. I forget what I have been rambling and try to catch a full glimpse of Che.      
     
The carpet at the Hotel Capri seems to never have changed since the capitalists were kicked out. All the metal parts in our room are in the rusting process. Drawers do not close, chairs squeak, and the shower water gets hot and cold sporadically. "I guess we are really in socialism now." I joke to James. How come I turn out to be the whining one? Shouldn't the American be the one that complains?
    James does not seem to care much about the hotel condition and starts to study the map. He has made a lot of notes on the travel book and brought all the maps he could find about Cuba. Our room is at the top of the building, with a sweeping view of Hotel National and part of Vedado. Havana Bay can be seen at our left side, with blue water glimmering under the scotching sun. On the right the city stretches out without visible boundary. Havana looks amazingly peaceful in the bright afternoon light.         
     We walk out of the hotel and head to the Malecon. When we turn into the famous boulevard, those beautiful crumbling colonial buildings on the waterfront come to our sight right away. Blocks after blocks, I feel I am walking in a long stroll of architecture wonders. Most of the buildings are in bad shape and falling apart, but it only adds to the glorious city a decayed beauty, a melancholy that is so deeply moving.
     Silence falls between us. The ocean breeze blows over from the bay. It makes the heat a lot more bearable. There are many Cubans hanging around the sidewalk. Young lovers are making out against the stone embankment without any inhibition. The scant-clad girls are showing off their tanned skin and flaunting their sexiness. Children are swimming in the water or diving from the rocks. One of them climbs over to the street side and sees me. He shouts: "Chino! Chino!" I wave my hand and say "Hola" to him.
     "They look happy. Don't they?" James says.
     "One good thing about socialism. Nobody works hard and you get so much free time."
     "It looks like Cuba survives well in such a difficult time." James comments.
     "It is tropical here. All these beach and sun. You better be happy." 
     "So you think our system is better? The rich just get filthy rich and the poor simply gets poorer. What are so many Americans working so hard for? Bigger house, nicer car, and we consume fifty percent of the energy as five percent of the population. And all these greedy big corporations are taking over the world. Capitalism sucks." 
     "But capitalism works, or at least, market works. That is what has turned China around economically."
     "From what I heard, in China the new capitalism has widened the gap between the rich and the poor. The old evils, such as prostitution and corruption, have run rampant."
     "Then what do you want? Poverty and shortages and inefficiency? Face it. The biggest experiment of this century is socialism. It failed miserably."
     "I don't know what could be the ideal model. But certainly the US one is not."
     "I don't care." I say. "As far as I am happy, I don't care what system it is."
     "That sounds selfish, doesn't it?" James wants to argue more. But I am so tired of it. How can I explain what is like to be poor when he has never really suffered poverty? How can he understand the shame of being poor, being a citizen from a poor country?
       
We turn onto a side street and want to venture further. After a block the street suddenly narrows and we are in the heart of the central city. The relaxing atmosphere at the Malecon disappears. Around us are people of all ages, using the street as their living room. The middle of the streets are usually taken by the kids, who are playing games and chasing each other. When they see us they come over to check us out and ask for candy or gum. The elderly usually sit at the door, looking onto the street without any expression. The buildings have deteriorated even more, turning into real slums, although their old magnificent details are still traceable. Some parts of the streets stink so bad, with piles of garbage stacked on the street corners. Sometimes they even smell like sewage.
     James squatted at abandoned houses before. His Barcelona adventure is still a mystery for me since he never talks much about it. The story has it that he went to Spain to study Spanish and he ended up making friends with a few anarchists. Their free-spirited life style attracted him. Barcelona has the perfect weather and romantic setting for him to experiment with rebellion, get drunk and to be artistic. But James is still shocked at seeing the slums around him. His face is turning serious and he occasionally frowns whenever he takes a peek into the interiors of the houses. Most of the windows don't even have glass panes. They use wood shutters to block the street view.
     What is purely sad is the food store at each street corner. There is barely anything on the shelf, and the clerks behind the counters often sit there with nothing to sell. It reminds me of those winter mornings when my father had to get up at six and stood in the line of the food store just to be able to buy some meat. I almost want to tell James my sentimental flashback. But when I see how disturbed he is, I decide not to say it. 
     "Oh, well, at least they have dollar stores. I hope they can get more stuff there." I try to lighten him up.
     James sighs: "Cuba is an island. It relies on imports for many things. It is quite an evil thing for US to cut it all off. Look what has it done? It only made the Cubans suffer."
     I can't agree more, but I find it amusing to hear him accuse his own country. My own patriotism has made me become rather defensive of Chinese government, as if any criticism of the government is a criticism on myself. Am I suffering inferior complex? Or is he just as self-righteous and complacent as any other Americans who think whatever they think are the best?             
     Very soon a late-thirties Cuban man starts to walk next to us and tries to start a conversation with James. He has amazing blue eyes and pale skin. He asks us whether we are Australians, and we tell him we are from California.
     "Oh. California! Beautiful." The man is showing so much of his admiration. He asks: "Do you Like Cuba? Have you been to the old town yet? You have to go. It is the best part. I can take you there and show you around." The man's over-friendly proposal makes me a little uncomfortable.    
     "Really?" James seems quite excited by the invitation. "That will be great!"
     "Yes, Yes. No problem. It is my birthday today. I am very happy. I want to do something good." The man smiles and says, "Let's make a deal. You give me four dollars and I can buy a cake for myself. I will take you to the old town."
     Yes, right. I know something is fishy. He must have the birthday everyday. James is a bit surprised and asks me for my opinion. I say firmly: "We don't need him to show us around. We have all the maps!"
    "But isn't it more fun to have a local to tell us everything?" James hesitates.
    "I just don't feel good by giving him money. It is like hiring him as a tour guide. It is against our principle. Also, it feels a bit intrusive to have him around us all the time." I say.
    James falters for a second and turns back to the man and tries to excuse us. But the man does not want to give up easily. He tags along and tries to bargain more. It is not until I give him a dirty look that he finally walks away.   

We spend the rest of the daytime hanging around old town with all the tourists. Much of the old town has been restored meticulously and looks like an urban tourist theme park with strong Spanish flavor. Surrounding the old town are blocks of slums like what we saw earlier. There are a lot more street hustlers, using various reasons to ask us for small dollars. In the end, both of us have learned enough not to answer any greetings initiated by the random strangers. We also find out that Hotel St. John is only two blocks away from us. As it turns out, it is not under construction.
    After dinner we decide to look for Havana's gay scene. Our tour book mentions that gays usually hang out around Cinema Yara. We have no trouble finding it since it is very close by and right at the busiest traffic intersection surrounded by all the big hotels. This surprises both of us since we thought it might be somewhere hidden.
    It is quite a scene. We stand at the balcony of the cinema and look down on the sidewalk. Hundreds of boys in skimpy shirts and tight pants sit on the one side of the street as if it is some kind of street fair. A few drag queens are decorating the crowd with their ostentatious colors and fearless manners. Oddly enough, many taxies are parked on the street, creating quite a traffic. On the other side of the street stands Hotel Habana Libre, the tall building which Castro occupied as his headquarter after he fist took over the city. A half block away is the ice cream parlor where people wait for hours just to get a small cone.
    "Gay boys look the same all over the world." I comment.
    "Castro was never a gay-hating dictator. He is much better than many of our republicans." James cites his knowledge again. "I found an article on Web about an interview conducted with Castro a few years ago. He said it was really the Latin Machismo that makes it hard for Cuban gays to come out."
   "What about the police harassment we heard about? Do you think it is true?" I ask.
   "I don't know. Maybe we can find out." James says. I see a few policemen on the street corner. But they are just checking the scene. What are they doing there?
   We walk down the balcony and march through the sidewalk. As an odd Asian-White couple, we immediately become the center of attention. We notice two boys are following us. Whenever we turn back, they smile at us. James finally stops and says: "They are kind of cute. Let’s talk to them."
   Their names are Jorge and Ignacio. They claim they meet in the university. Jorge does most of the talk and moves around like some hip-hop inner city boy. The baseball cap and all-over jeans without any undershirt highlights his dark brown skin. Ignacio speaks very little English and has an evasive smile. From time to time he asks Jorge or James to translate the conversation into Spanish. 
     They tell us there is no gay bar in Havana except for a few private parties on the weekend nights. The parties change the locations so often that you have to come to this corner to find out where they are. "You know, the government does not allow these parties. " Jorge says. "They are usually very far from here, and you have to take taxis."
     He asks us whether we want to go to one of the parties with them. I am already intrigued and eagerly accept his invitation. He runs up to the street for a few minutes and comes back with a rough-looking man. "He is my friend. He will take us to the party for six dollars. It is cheap."    
     So we all get into the car and let Jorge sit in the front. It is an old Russian Lada with gray interior. "This is not an official cab. My friend is just making some extra money by taking people to parties. " Jorge warns us. "Whenever you see the police on the corner, lower your head under the seat." The cab driver mumbles something when he sees there are four of us. Jorge then turns to me and says: "He says there are too many of us in the car. He wants eight dollars."
     I want to bargain a bit but James has already taken out his wallet. He says to me: "Be generous. It cost us ten bucks just to get into a San Francisco club."
    "But things are so much cheaper here. This is half a month of salary here. You should pay what everyone else pays."
    "Let's not think about money and have fun, ok?" James insists.

The house that hosts the private party looks so much nicer compared to the slums we have seen earlier. I am wondering whether it belongs to some high-ranking government official or someone who has rich overseas relatives. There are a big array of cars and cabs outside, and the crowd at the door makes it look like a hip happening in San Francisco. They charge an entry fee too: one dollar for the locals, two dollars for foreigners, still a bargain by San Francisco standards.
     We have to pay for both Jorge and Ignacio. They do not even thank us as if it is already expected. I suddenly realize that they can't afford to party like this if they do not find any foreign patrons. No wonder they are so friendly. With these thoughts, I am becoming suspicious at every thing they say or do for us. I want to tell James about my discovery, but he is already absorbed into the party scene.  
     Jorge and Ignacio have disappeared as soon as we get in. There are hundreds of people packed up in the house and its backyard. A giant Hi-Fi system is blaring Cher's "Believe", while some of the boys are dancing wildly. They are all very carefully dressed, well-built, with bodies I would dream to have. Quite a few foreigners are mixed with the crowd, mostly a lot older. The place has the same hedonistic atmosphere as any American circuit parties.
     James has spotted an Asian-looking guy. I look in the direction he points and notice that the guy is looking at me too. He comes over and introduces himself: "How are you? My name is Angel."
     It turns out he is half-Japanese. "My mother came here in fifties as a crazy communist." He says. "She gave up her Japanese citizenship and married my dad, who is another loyal communist too."
    James likes this story. He asks: "Have you ever visited Japan then?"
    Angel says: "No. It is very hard to get visa to visit any foreign country. " He then tells us that he was sent to East Berlin to study engineering. But after the wall fell, he had to come back. "I even messed around with a German girl and had a son even though I knew I was gay. Three years ago she stopped writing to me and I never heard anything from them." He takes out his wallet and shows us a baby picture. "Here he is. Isn't he cute?"
    James and I pass his wallet and look at the picture whose color has already faded by being touched too much. "How sad!" James put his hand on Angel's shoulder and asks him in his softest tone: "Do you miss him?"
    "Of course." Angel appears calm, as if the drama has been so thoroughly swallowed that no sensation is left. "Someday when I make it out to the west, I will look for him."
     Just like those Russian movies about lovers and families separated by wars and ideologies, although Angel's is such a contemporary one. I feel sorry for Angel, but I am not as moved as James. Angel probably has told his story to every foreigner he met. It has such a soap opera quality to win everyone's heart. I can't help but start to judge him. Am I really getting too jaded? Or I have seen enough suffering to shrug off these human dramas?
     As soon as Angel finds out I am from China, he screams: "I just had some trouble with Chinese today." Then, he tells us the story. He works for a foreign travel agency and also does some extra work for private tours. Someone from Miami asked him to pick up two Chinese from the airport and take them to the hotels. He waited for two hours and they never came out. So he went to the custom office and found out both the Chinese already arrived but were detained by the police.
    "Guess why?" He asks as if it is such a mystery.
    James is puzzled. I have my own theory considering my own mishaps at the airport.
    "It is a smuggler ring!" Angel is dramatizing the incident. "These Chinese try to get to US through Cuba! I was investigated for two hours. The smugglers thought Cuba was easy to fool. No way! Our police are so good. They know everything."
    I sense some obvious irony in his words. I am not sure how I should react.    
    "Were you ok?" James asks.
    "I was fine. I know people at customs." Angel says.
    "That also explains why they have such a strict policy to China." James says.
    I gulp down the rest of the beer in my hand, trying to hide my embarrassment. James does not notice my silence and goes on to tell Angel our airport story. I only wish I could shut him up. 

    We notice many people stop and greet with Angel. James jokes about his popularity, but he shrugs: "You know why they are so friendly to me now? Because I am with you guys, two foreigners. Usually they don't bother to acknowledge me. Ninety percent, well, I have to say, ninety-five percent of them will jump in bed with anyone for twenty dollars. Twenty dollars! How cheap we have become! Twenty dollars for all these old ugly foreigners to fuck our people! It is such a shame!"
    James and I are quiet.  
    By denouncing his fellow countrymen, Angel somehow has made himself a hero of morals and decency. There is some sort of acting in Angel although he is almost authentic enough not to be called "acting". Maybe selected narrative. Why does he tell us all these? If I were he, I would never tell a foreigner about my own country's scandals. But when I see how James looks up to Angel, I realize how convincing Angel's performance is. 
    Jorge suddenly appears in front of us. He claims he is thirsty and asks us bluntly to buy him a drink. James takes out his wallet and realizes that he has no cash left. He eyes me but I give him an obvious no.
    "Don't embarrass me. It is just a dollar." He pulls me aside and whispers, fearing Jorge or Angel can hear us.
    "You can't just give them whatever they want. The hotel is already way over our budget. We have to start to cut corners in our spending."
    "Come on. I am just treating our new friends."
    "How do you know they are your friends? They are just using us, getting free rides and free drinks and free entries. It is such a good deal for them."
     "So what? It is just a few dollars!"
     "Every dollar counts. With this spending speed, we will be short of money soon!"
     "Why are you so calculating? Sometimes you are so stingy, just like all those Chinese."
     I take out a twenty-dollar bill and slap it down on his right hand: "Ok. Have your imperial mercy on them. I am just stingy Chinese who does not need any mercy from you. I am tired of this party. I am leaving."
     James is shocked at my strong reaction and can't believe how furious I have turned into. Obviously he is oblivious to what he has just said. "What's wrong with you? Relax. OK? The night is still young. Let's stay." He raises his hands on my shoulder and tries to pull me closer. I push his hands away: "You stay and have fun. I will see you back in hotel." Then I dash out the door without even looking back.  

In the Taxi I slowly calm down. I secretly hope that James may have followed me. I keep looking back through the rear window but I can not see a single car behind. What is James doing now? Is he in another taxi chasing me? Is he still staying in the party and hanging around Angel or other cute Cuban boys? Am I jealous? There are occasional skirmishes in our relationship. There are times I wonder whether we are right for each other. But I feel secure about him, about his feelings. Then, there is still that invisible wall between us. Havana has made me see that strange wall again. Is the wall my pure invention? Can James see it too?
    The taxi driver suddenly breaks the silence and says: “Chinatown.”
    I look outside and see a white marble-stoned Chinese gate on the side of the street. Some red Chinese calligraphy is barely visible under the dim moonlight. My curiosity has taken me over and I ask the taxi driver to stop the car. I read somewhere that Havana used to have huge Chinese population in the turn of the century. As I walk around, I see no other Chinese signs. The streets still smell quintessentially Havana, mixed with fried banana and salty ocean air, not the Chinese food I am familiar with. The occasional passengers are either dark-skinned locals or Angola tourists. Where are the Chinese?
    I finally find a line of Chinese restaurants in a narrow alley where most of the clients are young European-looking tourists. When I peek inside and look at the waiters and waitresses, I still can’t find anyone even remotely resembling Chinese. There is a bar with lots of noise, indicating its happenings. The red neon sign says Three Little Chinese in Spanish. I step in right away.
    It turns out to be a karaoke bar. The hostess, a boisterous mulatto girl with bleached hair and large almond eyes, sits me down and smiles the whole time. When she asks me whether I need a female company to drink with, I shake my head as quickly as I can. I look around and find myself surrounded by couples, either a Cuban man with a white girl or a white man with a Cuban girl. 
    I notice a teenager boy helping out with the DJ. But most of the time he is sitting on a stool and singing along with whomever on the stage. His short spiky hair and squinted eyes give away a clear Asian blood. When he sees me looking at him, he comes over boldly and sits right next to me.  
    “Are you Chinese?” He surprises me with his good English.
    He tells me his last name is Leong, and he is one quarter Chinese. “My grandparents own the building and the bar.” He says. I don’t know there is such a private ownership in Cuba. Could that be Castro’s special policy towards ethnic Chinese? The Cuban boy tells me there is a heavy tax, but they are making money. I suddenly think about James. I imagine him making comments on how mercantile Chinese are, no matter where they are. The boy lives with his parents in Cifuengus but spends the summers in Havana when school is over. By hanging around the foreigners, he picks up quite a bit of English. 
    He signals to one of the waitresses and orders a plate of fortune-cookie-looking snacks. “This is my grandfather’s invention. It is very well-known in Havana.” He proudly claims. The snack is merely oil-fried flour chips, the same snack my own grandma used to make for Chinese New Year.
    I ask him where the Chinese are. “Most of them left after the revolution. But there are a few left.” The boy seems to know a lot about China town. “Maybe three or four real Chinese families are still here. Most of us are already mixed, like me. There is a big Chinese cemetery, do you know?”
   He suggests that he can take me for a tour. I follow him to the second floor, which has been converted to a different bar. Along the wall hang enlarged black and white old photos, in which Chinese men are wearing long cloaks and staring at the camera with tired solemnity, as if they knew that someday they would be adored as ancestors. “My grand-grand-father founded the Chinese association.” The boy points out a dreary-looking old man in one of the photos.       
   We walk out of the bar and come to the street. He says he can show me some Chinese houses. A block away we come across an old Chinese man sitting beside the door of his house with his eyes half-closed. The light from inside the house illuminates his wrinkled face. He has no hair left, and his body has almost shrunk to a skeleton. As we get close, he opens his eyes and stares at me with such a curiosity. “He is my great-great-uncle. He is born in China.” The boy says. “But he can not speak or hear any more.” The boy makes some hand gesture to the old man and then turns back to me. “Maybe you can speak Chinese to him. He may be able to hear you.”
   I have tried a few sentences in Cantonese. The old man’s face brightens up and he makes a few unrecognizable sounds while he struggles with his jaw and throat. I peek inside the house and see a Guanyin portrait hanging in the main wall and a Buddha shrine burning with incenses. The old man probably has never returned to his homeland since he comes over. Seventy years passed he still looks so Chinese and maintains all the tradition. Has the revolution meant anything to him? As I stand there and contemplate on fate and history’s irony, the boy bumps into his cousins and they are chatting and laughing in Spanish and ignoring me.            
  
After bidding good-bye to the friendly and talkative boy, I realize that China town is not too far from Vedado. I decide to walk back to the hotel. It is way past midnight and the streets have become deadly quiet. I imagine myself walking around old Havana as a Chinese man who came to seek fortunes a century ago. What would he see and feel? Would he get terribly homesick? Would he view the white Spanish Cubans as white devils and the black Cubans as the uncivilized? I know I have to take a tour of the Chinese cemetery on my own when the day comes.
    As soon as I open the hotel door, I see the lights all switched on and hear the sound of tap water from the bathroom. James ducks out the bathroom, with his toothbrush in his hand and toothpaste foams all over his mouth. "Thank God you are back. Why did you get back here so much later than I did? I was afraid you were so mad at me that you went somewhere else."
    I tell him that I took a walk along the Malecon.     
    It turned out he got out the party right after I left. After showers we lie in the bed together. I notice his eyes are wide open. I put my hand on his chest. He strokes it gently. I see tears rolling down his cheek. He turns his head away from me so that I won't see them.
    "I am sorry. I should not have left you in the party." I try to apologize.
    He sounds like sobbing. "I know I am not good with money. It is just that things are so bad here, much worse than I thought. All these ridiculous US bully and embargo stuff make me feel I owe these Cubans."
    "But it is not your fault." I want to tell him that it is not exactly the money that made me mad. I want to use some word more profound, a word invoking colonialism. But how can I explain it?
    "I wish I could do something." James murmurs. "It is so hard to trust anyone. They all seem to want something. But at least Angel is nice."
    "He is ok." I say. "But you need to be careful. Don't let yourself get used."
    "How do people all turn into this way? Can people be poor and have dignity at the same time? Didn't Mao say proletarians are the most selfless revolutionaries?" 
    "James, put yourself in their situation. The ones having dollars live a totally different life. Just look at all the tourists."
    "What's so good about having all these money?" James says.
    I don't know how to answer the question. I can't tell him that I came to America and decided to stay on my own because I wanted a better life for myself. I can't tell him that when I was in China I tried so hard to come over to US. I keep part of my past inside me because my dignity has taken the form of shame. 
   
    James falls into sleep quickly. Our bed is soaked in a ghostly blue light. I look out the window and see the ocean of lights flickering under the Havana sky. I wonder whether the hustlers and hookers are still strolling in Vedado. I wonder whether there are some tiny rafts drifting out of Havana bay and into the dark sea, towards Miami under the same moonlight. I wonder far away in the Pacific, in the treacherous sea, whether some shiploads of Chinese are dreaming their American dreams. I look back at James’ soft face. I try to hold him in my arms as if I know I have lost him for good.

Tuesday, December 17, 2013

中环, 我坐在轰鸣的巴士上



1
独自出门, 独自漂洋过海
省去所有的仪式
忘却所有的债务
树起桅杆, 升起风帆, 回头无岸
我与时间赌博, 沿途掠夺资产
一切用以充斥记忆的拉圾场
我从不偏信远方, 却以为
每次的出走总能创造某种奇迹般的感伤

2
那么我是谁?一个背叛自己
背叛国家的人, 还是一段
无端的热情燃烧自己却无法照亮别人
在香港, 在中环, 在混凝土与反光玻璃
的森林中, 我感觉如屹立的孤岛
兀自与浊浊的人气和财气抗衡
天色阴沉
暴风雨的季节尚未来临

3
西装革履, 名牌手袋
移动电话在尖叫, BB机在呼喊
股票市场翻云倒海
白领丽人急步走出大厦玻璃门
我瞳孔放大, 仿佛在猎奇
暗地里我诅咒现实正阴谋离间
与我素不相识的人。或者
在令一个坐标系里我折磨自己也折磨别人

4
于是, 许多交错的影象
在巴士的轰鸣中涌现
曾经见过的月光,森林和雪山
以及萍水相逢又萍水相别的朋友和爱人
中环的喧嚣引发了蒙太奇般的错乱
日子如海市蜃楼荡漾于抽象的远方
我一如即往, 独自读书, 漫步和思考
海风阵阵, 城市是城堡建筑在海滩

5
但是巴士必竟开向半山
开向财富方能拥有的空气和海湾
政权交替金融危机改变不了布局的本质
而落泊者的沉吟, 行游者的唏嘘
只能用以装点转瞬即变的景观。 中环
坐在轰鸣的巴士上, 我把现实
镶入一段文字, 自己则恣意滑入历史的背面
-----行程还将继续

Belarus Trilogy

June-July, Belarus-Barcelona-Koln















I

In Moscow club
Dave said every girl is named either Olga or Tonia
They could dance gracefully
Or as wild as you could imagine
But they usually could not
Afford the expensive drinks in the bar

White city, white church and white square
White women in the white skirts strolling along the white streets
Belarus loves white and its majesty 
As if white covers the old wounds
Or haunting ghosts from the concentration camps
Or rigidity, shame, confusion, misery and solitude
It is all done under the name of the history’s glory
And culture heritage, tradition, national identity
How many times can a city be born, a nation be born
Belarus does not know the exuberance of the birth
Let alone the pain of the pregnancy
It simply wraps itself with a piece of white sheet
Managing to stay away from the dead and the mad
Quiet, self-assured, but afraid of malnutrition and intrusion
    


II
On the phone
She told me her name is Tonia
High cheek, blond, twenty year old
She asked whether I was American
I said, yes
I lied to please her 

You lower your noble head and bend over your graceful shoulder
Just to show how arrogant you are
Belarus, the superior among the inferiors
You cannot fool me as you have fooled the others
Not by putting on the sexy dress in the colorful neon light
Not to a Chinaman whose own homeland is suffering the same illness
Although your symptom is anemia, mine is yellow peril
History mocked us and left us in the thin air
But I cannot speak for you, neither can I speak for myself
Not as the tormented poet with all the hearts but the wealth
For the price of my soul I am buying the American mask
Sitting here, I am watching you, with my cold eyes
















III

In the National museum
Where Chagall retrospective is held
Ira, a medical student and Belarusian Korean
Told me she would go to the best disco in Minsk
and danced until she dropped
If she were only given
Two hours left in her life

Who are still weeping for the land, land of legends and fairy tales
Who are still singing the songs, songs of pride and old life
Who are still reading the poems, poems from the dead poets
Who are still remembering the stories, stories of suffering and misfortune
But someone, someone will have to invoke the wasted souls from the tombs
To retrieve the betrayed passion and ideals from the abandoned monuments
To restore the damaged, the devastated, the anonymous, the forgotten
And to declare a new dignity, with the past fully reconciled

Friday, December 13, 2013

TRIAL OF NUREMBERG

"Can you see anything?" Jill asks from behind in a heavy breath. Eddie turns back and looks at Jill. "No. It is too dark." Jill's brown hair flies in all directions under the wind and glows surrealistically in the soft winter light. Her gaze is intense enough to make Eddie feel guilty about his boring discovery. As soon as he steps aside, Jill leans her body forward eagerly and tries to peek through the door crack Eddie has pulled open earlier.
    "Wait a minute. There is something. Maybe a lawnmower." Jill says. "Darn. It is a storage room."
    Eddie has become a bit impatient after the futile search: "I told you.  This could not possibly be the gate for the exhibit. You don't believe me."
    "Find it for me, then. We have been all over this stadium. Where can it be?" Jill shouts at Eddie as if everything has been his fault.  Eddie shrugs and thinks, so what. It is Jill's idea to come to Nuremberg. It is also her idea to take the expensive taxi and come all the way to this side of the city just to look at an abandoned stadium. Eddie usually adores Jill’s opinions and strong personality, but sometimes he feels that he is treated as her slavery little brother. They did grow up together as next-door neighbors, and back when Eddie was a frail-looking and sensitive Chinese kid who often got bullied in schools, Jill almost took him under her wings and became his sole protector.
    They stand at the rear of the main stage and look hopelessly frustrated. Under the stage hundreds of cars and sports vehicles are parked orderly, and hundreds of roller-bladders in their colorful winter sports outfits are gliding along the track with joy and glee. Their laughter and screams pierce through the crisp air and make the whole stadium rather festive.
    "I have a theory." Jill says: "They hide the exhibit. The Germans just don't want us to see it. It is an eyesore, a shame." 
    Jill turns every opinion into a theory because theory is truer than hypothesis. Eddie tries to give her more opinions: "Maybe it is closed at winter time. Maybe we are not looking in the right place."
    "It has to be here somewhere." Jill is holding her crumpled Berkeley budget guide and trying to read the line aloud again: "Behind the crumbling grandstands of the Zeppelin field lies the entrance to the exhibit Fascination and Violence, including film clips of the rallies and anti-Semitic posters, fliers and children's books. So what does this 'behind' mean? We have already tried "behind" the stadium, and 'behind' the grandstand. Gosh, who wrote this book…"
    As she rambles Eddie walks back to the front of the stage. The stage is at least two or three floors above the field. There is a grand but faded mosaic Swastika sign on the stage ground. It looks as if someone has tried to erase the sign by grinding the stones very hard but somehow it still stays. Sixty years ago Hitler stood at this same spot and inspected his seven hundred and fifty thousand fanatic followers in the massive Nazi Party rallies. Eddie tries to imagine that ocean of flags and crowds underneath, tries to feel what it would feel like to be the super leader and the sheer idol worshipped by millions. For a few seconds he has ignored Jill.        

    When they planned this Europe trip, Jill insisted adding Nuremberg as a stop between Munich and Berlin. She said she had to visit it because of its historical significance. Eddie argued that he would rather visit the famous fairy-tale castle in the Bavarian Alps. The only thing Eddie knew about Nuremberg was the world war trial, and he could not figure out if that was enough for a visit considering the time constraint. They had already put Dachau in their itinerary. He understood how important it was for Jill, a Jewish girl and a history major, to pay her visit to the concentration camp victims. But why Nuremberg? Eddie opposed the idea and told her that he was not doing a World War II educational tour. Jill said nothing and dropped a videotape in his mailbox with a note attached to it. She wrote: "An awesome documentary although I hated watching it!"
    It turned out to be Triumph of the Will, Leni Riefenstahl's propaganda masterpiece on the sixth Nazi party congress. The film fascinated Eddie. He told Jill that he changed his mind and would like to see the actual filming site. The spacious stadium held such a spectacle that almost evoked a strange passion in Eddie. He secretly derived an erotic pleasure by watching those Nazi soldiers standing at rigid attention in their uniforms. The diminishing of the individual as a tiny part of the superhuman machine appealed to Eddie, as if it was some type of austere aesthetics that hid a sexual meaning he vaguely understood. Eddie felt a bit ashamed and he knew he could never tell Jill what really lay behind his motivation of coming to Nuremberg.           
     When Jill first suggested coming to Europe in the winter, she listed all the benefits: Few tourists, plenty of accommodation, snow-capped Alps. "Think about a park, or a museum, or a castle with almost nobody there." She imagined the whole of Europe would be in a Wim Wenders film, ghostly and melancholy, with empty streets and bleak landscapes, haunted by histories. She would be Achmatova or Paula Modersohn-Becker, soul-searching, free-spirited, ready to suffer and devote.
     But it was not the first time that Eddie came to Europe. In the summer of his sophomore year, he followed a group of friends and toured Spain, France and England. During most of the trip he was tortured by an intense and secret crush on one of his traveling buddies. Eddie remembered how awful it was when the whole train was full of loud American students from Barcelona to Port Bou. He cursed the obnoxious American invasion. He cursed the beaches on the Spanish coast and the fortresses in southern France, where he could only steal furtive looks on his object of desire. He cursed the blond girl whom his buddy finally got a chance to make out with. In the end he cursed himself. When Eddie recalled all these, a winter trip away from rainy California and into bitter weather of Europe, became just what he wanted
         
    They sit on the side stairs and take a small break. Eddie has dutifully followed Jill and circled the whole stadium twice. They looked all over the stage but apparently nothing resembled an exhibit room. There is no sign indicating an exhibit, neither can they find a post explaining what this large space was used for, and why it is left intact for sixty years. There are a few European-looking backpacker types of tourists checking around, but every one seems to be in a cold mood and no one acknowledges each other.       
    Jill lights a cigarette and starts to blow the smoke circles through her long curly hair dangled in front of her forehead. Since she came to Europe, she has adopted this self-destructive habit. In high school Jill was the rebellious type. She never put on any make up and did not care about her popularity. She wore clothes from the thrift stores before vintage clothes were considered cool. Once in a while she took Eddie to the only art movie house in the town and watched the foreign films no one in the school would bother to hear about. Eddie always felt out of place and never had that many friends. His pairing with headstrong Jill caused much derision in their mostly white and Protestant Midwest school. 
    Eddie feels a little nausea from the smell of the smoke and turns his head away. The sun is setting, and the sunlight is slanted and has turned golden. Scattered sparsely outside the stadium are nameless tall trees, whose last leaves have been blown away by the harsh wind. Their skinny trunks stick up and look like a throng of antennas. Eddie moves his attention back to the crowd. He spots a few handsome faces among the roller-bladders. They are often blond with very wholesome and carefree looks.
   "I can't believe this." Jill tosses away the cigarette head and comments: "This fascist stadium has turned into an entertainment park."
   Eddie finds Jill's rage a little irrational. He puts his arm around Jill's shoulder and tries to calm her down: "Relax, Jill. It is not that your whole family was all killed in the holocaust. You do not have to hate Germans for the rest of your life."
   "How can you forgive these murderers? Do you remember Dachau? Not only did they kill Jews, they killed gays too." Jill sounds like she is gritting her teeth.
   The memory of the Dachau visit has almost made Eddie shiver in the chilly air. The pink triangle sign comes into his mind, but the terror does not seem so real, and he can not possibly relate the gruesome death chamber scene to the stadium on his current sight.
   "It was the darkest part of German history. I think they already feel the guilt, and they have been trying to repent and move on." Eddie says, flushing out of big and meaningless words that he himself is surprised with.
   "Have you read Ann Frank's Journal? When I was a kid, I cried over it whenever I opened the book. It was as if I was suffering. Since then I never had good feelings for Germans." Jill is in the mood for a tirade. "It is like Chinese hating Japanese. Just think how many Chinese they killed."
   "But I don't hate them. It happened so long ago."
   "Yeah, right. You even dated Japanese. What is his name? Hiro or something? "
   "He is a very nice guy." Eddie protests. He suddenly thinks about the old pictures Jill's father showed to his family many years ago, and the Chinese jade and porcelain Jill's father displayed in their living room. Mr. Goldberg loved to talk about his wartime stay in China as if it was such a fond childhood memory. "At least, you don't need to hate Japanese." Eddie says. "In Shanghai, they did not kill Jews since they considered Jews European, more superior to Chinese."
    Jill looks at Eddie as if she is bewildered at what he has just said. Then, she bites her upper lip and says: "The world is fucked up, isn’t it?"             

When Eddie was seven his father finally finished graduate school and moved the whole family from Taiwan to a leafy suburb outside a Midwest college town. Very soon his family made friends with the Goldberg family, their next door neighbors. Not only did Eddie's father and Mr. Goldberg teach in the same college, Mr. Goldberg actually spent his childhood in Shanghai as a refugee during the second war and this Chinese connection brought the two families a lot closer. On Christmas nights, they often went to the only Chinese restaurant in the town and would stay until midnight when both fathers got drunk. Eddie remembered Jill vividly on those dinners, who often sat next to her father quietly and ate the Chinese food with the chopsticks in the most nimble way. Whenever Eddie's mother saw Eddie messing up the food in the plate, she would point up to Jill and said to Eddie: "Look at the white girl. She is so good at Chinese chopsticks. Learn from her."
    Eddie moved away in the second year of the high school when his father found a tenure position in another university. For a while Jill and Eddie wrote postcards to each other but they eventually lost contact. A few years later Eddie settled in San Francisco and bumped into Jill at a friend's party. They both belonged to the post-college mass migration looking for a more liberating and exciting urban environment, although Eddie had a more urgent agenda to come to San Francisco, which was to come out and live the gay life. Eddie revealed his new identity to Jill almost right away. When he told Jill that his mother always referred her as the "white girl" and was never sure Eddie should hang around her or not, Jill laughed and said: "I overheard her saying that too. One day, I think it was in junior high, I told her that I was not white because I was Jewish. She looked awfully confused."
   When Eddie met Jill in San Francisco, Jill just came to the city and was folding clothes in Urban Outfitters during weekdays and making lattes and mochas in a coffeehouse over the weekends. What else could a history major do in our information age? She did not hide her bitterness when Eddie told her he worked for a software company as a programmer. She said her father expected her to go to graduate school right after, but she was tired of schooling, and the academia career simply did not appeal to her after she witnessed all the foul plays of big egos. Eventually she decided to come to San Francisco and live on her own before she figured out what to do next.
    They started to see each other more often. There were coffees, movies, parties, gallery openings, and frequent updates of each other's latest love affairs. Jill switched between jobs and boyfriends and was in a perpetual state of self-reinvention. On the other hand, Eddie tried to assimilate into the city's gay life. Three times a week in the gym, bar-hopping and clubbing over the weekend nights, chatting and setting up dates on the Internet, he never felt so free, although he did not particularly like his job, he didn’t hate it either. As he got used to the routine of working and waiting for the weekends, and as all the encounters turned out to be either flakes or unrequited loves, his initial curiosity and enthusiasm was slowly fading away and getting replaced by disappointment. There was still the occasional excitement of sexual adventures, but most of the time he was depressed and felt a bit lonely.
    
    When Eddie and Jill get back to the old city center, the last ray of sunlight has already disappeared. The meticulously restored city walls and towers, with their dark imposing silhouette, add more chills to the freezing streets and squares. They decided to walk through the old town and towards the hostel they found earlier that morning on the north side. Most of the tourists have already gone and there are only a few locals walking around. The atmosphere has turned rather gloomy.
    "What are we doing tonight? Shall we go dancing?" Eddie wants to talk about something cheerful, and he hopes his proposal can bring both of them out of the reflective mood.
    "I don't know." Jill turns back. "I am really not in a party mood."
    "Come on, Jill." Eddie says. "It is a Saturday night! You can not possibly stay in that depressing hostel for the whole night!"
    "Why not? I can write my journal, and I can write the postcards. It has been such a day."
    "You mean, you are going to spend a night bitching about Germans and all that? Cut it out, Jill."
    "Every night all you want to do is party, party! Do you gay boys care about anything else?" Jill bursts out.  
    "You always have fun in gay clubs." Eddie says. Eddie had taken Jill to all his usual hangouts in San Francisco, although calling Jill a fag hag would be quite a stretch.
    "I do. But not every night!" Jill refers to their outings in Florence and Rome. But since they entered Germany they have not gone out much at night, partly because it is so much colder and people look so much more depressed.
    "We are on vacation." Eddie says. 
    "I know. But, we are not traveling just for fun, for entertainment. Otherwise we should have gone to some stupid tropical island.” Jill stops on a bridge that crosses the river. The slowly flowing water makes a low humming sound. They can see their shadows projected on the surface of the water by the street lamps. A few tall willow trees, with their long and bold tangling twigs, are rustling in the wind. "Look around us. It is so beautiful here." Jill holds her breath and looks out to an old building about hundred yards away, whose base crosses the river and creates a mysterious-looking arch.
     Jill seems to be in a dreamy spiritual moment that Eddie cannot quite share with her. He feels cold and puts his chin behind the collar of his jacket. He can see the white vapor when he breathes.
     As if something has suddenly waken her up, Jill comes back to the reality and says. “OK. Where are we now?”
    “Since you don’t want to be bothered by straight Germans, we should go to a gay club.” Eddie pushes his proposal more firmly.
    “If you really want to go, you can go yourself.” 
    “I can’t leave you alone. Plus, it may be interesting to meet new people.” Eddie says: “How could you dislike Germans before you even know any one of them?”
    “Eddie, you don’t understand. This has nothing to do with any individual German. It is connected to a horrible part of history. It is an abstract principle.”
    “You lost me. Whatever it is, it should not stop you from making friends with Germans and finding out who they are.” 
    Jill seems to be tired of arguing. She says: “I am actually flexible. If you want me to go with you, I will go.”
    “Of course you should go with me. You will enjoy yourself once you hear the music and have some beer to warm you up."
    "Whatever, promise me that we will come back to the hostel early. We have to catch the nine o’clock train to Berlin." Jill finally succumbs. 

    They flew into Europe through Italy. They went through Rome, Florence, and Venice and then through Geneva to Munich. The journey will end in Berlin and they will fly home from Frankfurt. Jill just quit her job and is on a tighter budget. Her last love affair with an aspired animation filmmaker did not end well either. He moved away to LA and stopped calling.     
    Jill has been invigorated and energetic through Italy, although the weather did not paint the Tuscany vineyards, Roman relics or Grand Canal with the usual cheerful colors seen in the postcards and calendars. The Mediterranean casts magic on people, making them warm and flirtatious. However, the gay scene is generally disappointing. The clubs and bars are often so hidden that Eddie eventually gave up checking them out.
    In the Uffizi of Florence, Jill spent much of her time in front of Botticelli’s Birth of Venus. She looked at the painting in awe and mumbled about how harmonious the composition was. Eddie was rather astounded by Caravaggio. He stared at the head of Medusa for long. The serpents and the sight of blood spurting from Medusa’s neck intrigued him. Even in Sacrifice ofIssac, all he saw was Issac’s screaming and terrified face under Abraham’s knife.     

When Eddie finally dragged Jill out, it was almost eleven. "Germans party late." Eddie told Jill. Using the Spartacus guidebook Eddie brought with him, he quickly found a dance club at the eastside.
    The club is called Toleranz. Inside it is steamily hot and crowded. The music blares so loud that Eddie has to shout to Jill right in her ears whenever he needs to talk to her. When the DJ changes the music to Tony Braxton’s hit song Don't break my heart, everyone waves and shakes their bodies in a slow trance movement. With so many half-closed eyes, lifted circling arms and dramatic facial expressions, the crowd has been transformed and brought to an ecstatic state caused by pains.
    "Gosh, they are all turning into divas." Jill screams. Eddie laughs and says: “Isn’t that cute?”
    Eddie dances with Jill and no one seems to have paid much attention to them. On the way to the restroom, he notices a lanky guy looking at him. The guy has shaved head but his face is too gentle and nice-looking to pass for a skinhead. The black turtleneck and the black pants make him look more like a designer of some sort in his early thirties. When Eddie gets out of the restroom the same guy is still standing at the same spot with such a gaze that Eddie does not mistake it as pure curiosity. Eddie gives his acknowledgment with a coy smile. The guy comes over and introduces himself as Ralph.   
    Eddie senses obvious hostility from Jill when he brings Ralph over and introduces him. She checks him up from head to toe.  “Why do you shave your head?” Jill’s first question comes as an interrogation.
    “I am balding fast.” Ralph confesses. “So I shaved it.”
    Jill stares at Ralph with a clear sign of disbelief.
     The tension between Jill and Ralph makes Eddie rather uneasy. He tries to get everyone to the dance floor. Jill reluctantly joins in but quickly excuses herself. Eddie feels bad by leaving Jill alone, but Ralph has already charmed him. They dance closer and closer, and inevitably start to touch each other. After Eddie tells Ralph that he has to leave Nuremberg the next day, Ralph suggests that they should spend the night together. The offer has made Eddie rather excited, but he becomes hesitant when he thinks about Jill. 
    “I can drive you back to the hostel.” Ralph looks at Eddie affectionately.
     Eddie goes back to the bar area and finds Jill sitting on the stool with a bottle of pilsner, looking tipsy and left out. He tells her that Ralph can give them a ride back to the hostel, and he may stay with Ralph for a few hours.
    “You are such a whore.” Jill whispers, with a condescending voice: “And with a skinhead!”
    “Jill, I think he is sexy.” Eddie says. “You know, this is part of gay life. I have not had a single fling since we came to Europe.”
    “Neither have I.”
    “Don’t tell me you never flirted with all the Italians. They were fascists too, remember?” Eddie finds his words a bit too harsh.
    “You do whatever you want. Just leave me out of this, OK?” Jill looks pissed. She stands up and almost stumbles over the stool. Eddie sticks his hand and holds her with his shoulder. “You are in no condition to walk back.” Eddie says.
    “Let’s take a taxi.” Jill mumbles.
    “Ralph promises he can give us a ride.”
    “I don’t need help of a Nazi skinhead.”
    “Be fair. He is very kind. Jill.” 
    Jill stops arguing when her head falls down abruptly. She passes out. Ralph sees this from a few steps away and immediately comes over to help both of them. They walk out of the entrance and get into Ralph’s car. Then they put Jill in the back seat. The hostel is not far. They make sure Jill has fallen in sleep in the bed before they get back to the car and drive to Ralph’s apartment.  

     Eddie finds Ralph’s apartment incredibly orderly. The first thing that catches Eddie's eyes is a bulky black cello case leaning against the corner. A music stand is neatly folded next to it. A series of framed black ink sketches decorate one side of the wall. Two metal bookshelves, each full of neatly shelved books, insinuate the owner’s avid reading habit. On a steel roller in front of sofa rests a Hi-Fi stereo, which looks like some medical instrument. Its edge glows under the reflections of the light.
   Eddie walks over to the bookshelf and looks through Ralph's collection. He has developed a habit of checking out books and CDs in a stranger's house, as he can usually tell quite a lot of the person just from what he reads or listens to. Most of Ralph's books have German titles with authors unknown to Eddie. He notices Tom of Finland, but he skips it and goes right to a poetry collection by Rilke. Somehow, just to show off his knowledge on German poetry, he takes out the Rilke book. 
    Ralph comes out of the kitchen, holding two glasses of wine, one on each hand. When he sees Eddie thumping through the poetry book, he recites: "Wer, wenn ich schriee, horte mich denn aus der Engel Ordnungen? Eddie, do you read Rilke in German?"   
    Eddie tries to sound modest: "Oh, not much. I took German for a year in high school. That’s about it."
    "Who, if I cried out, would hear me among the angels' hierarchies? My favorite line in his first elegy." He hands the wine to Eddie and sits back in the sofa. “Rilke spoke with such depth and intensity.” Ralph has a very aristocratic style. Even when he sits he poses elegantly with one leg over the other one. Is this all part of being culturally-cultivated German? Eddie is fascinated. Very soon they start to kiss and fondle each other. Ralph moves his tongue very tenderly, almost too timid and cautious. 
    When they take off their clothes, Ralph takes out a studded leather collar from his closet and asks: “Do you mind if I wear it?”
     Eddie is a bit amused. After Ralph puts the collar on, Eddie gets more excited than he could admit. He feels like grabbing Ralph by the collar and stomping him under his feet.
    When they get in bed, Ralph lies on his back and looks at Eddie earnestly: "Spit on me. Please." He says.
     Eddie is shocked. "Are you sure?"
     "Oh, please." Ralph begs.
     For a second Eddie thinks it is creepy. You only spit on the person you hate the most. Eddie has grown to like Ralph’s gentleness and suave manner, and the idea of spitting seems a bit far fetched.
     “I don’t know if I can do it.” Eddie says. How weird it is. How did he get into all this strange kinky stuff? Was he been abused as a child or what? Could that be the German guilt in the collective sub-consciousness? Eddie has no time to analyze more before Ralph pleads again with his heavy breath.
     “Please, please. It really turns me on. I would love for you to spit on me.”
     Ralph’s voice trembles, sending a warm wave through Eddie’s body. He cannot think of anything else to do but to please Ralph, to cater for every need Ralph has.   
     Eddie’s first spit falls on Ralph’s forehead. It is tiny, and Eddie almost starts to apologize.
    “Oh, more.” Ralph groans.
    When Eddie sees his second spit sticks to Ralph’s brown eyebrow and the shining studs on the leather collar, there is a sudden rising of sensation inside him that is so new, so strange. He is empowered and in control, and his whole existence is heightened. Ralph smears Eddie’s spit all over his face and gasps: “Ah, it feels so good. Never has an Asian done this to me before.”
     Ralph’s contorted face triggers a series of montage images in Eddie’s mind as he continues to spit harder and harder. The uniformed Nazi soldiers in Leni’s film, the infinitely large and empty Zeppelin stadium, the angry face of Jill, the high school playground where he used to stand aside quietly looking at the popular jocks, the ancient arch over the river in the old town of Nuremberg, they all mix together and appear as blurred snapshots and then disappear instantly. For a short moment Eddie feels Ralph’s whole history, although totally unknown, has been usurped and taken over by him.      

    The next morning Eddie wakes up and looks at his watch and finds out it is already half past eight. He suddenly remembers Jill and their Berlin train. He jumps out of the bed right away. Ralph also wakes up and tells Eddie he can give him a ride. When they get back to the hostel, they find out that Jill has already checked out. On the desk she left a note: “I think it is better to for me to complete the rest of the trip on my own. See you at the Frankfurt airport.”
    When they rush to the train station, Eddie spots Jill sitting on a corner of the platform with her backpack leaning against the wall. She is reading her guidebook. Before Jill sees them Ralph stops and gives Eddie a hug. He pecks on Eddie’s cheek and slips a note into Eddie’s pocket. “Write me.” He says. Then he turns back and walks away.
     Eddie approaches Jill from the side and realizes how beautiful Jill is even in her stuffy jacket. Her cheeks radiate with a healthy reddish color, and her hair, though often not neatly combed, gives her the exact bohemian air. No wonder those Italians always stared at her, Eddie thinks.
     Jill lifts her head and sees Eddie. She tilts her head and throws a look as if Eddie is so expected. “How was your night?” She asks casually.
    “It was OK.” Eddie tries to brush over the subject. “I am really sorry. I overslept at Ralph’s place.” 
    “Whatever.” Jill seems to pretend that she has forgotten the note she wrote.   
    “I thought you have already left on the nine o’clock train.” Eddy says.
    “I missed it.”
    “Really?”
    “Oh, well.” Jill shrugs and plays with words. “I thought I could wait a little longer and see where else I could go.” She lifts the guidebook. “There is Wagner’s hometown nearby, do you know that?”
    “Wagner is anti-Semitic.” Eddie says.
    “I know. So, anyway, I don’t have extra time.” Jill says.
    “Do you still want to travel the rest of the trip on your own?” Eddie asks, after a bit hesitation.
    “Eddie, you are great company. But sometimes I wonder whether you really need me around or not.”
    “Sorry Jill.” Eddie says. “Don’t go off like this.”
    “You virtually abandoned me last night for a skinhead. How should I take that?”
    “I promise I won’t do that anymore. You know, the libido usually wins.” Eddie tries to sound funny. “But Ralph is not a skinhead.” A faint smile appears on Eddie’s face, and he almost feels like telling Jill something about the night.
    Jill stares into Eddie’s eyes as if she has known everything: “How is Ralph?”
    “He is nice. You know, he helped to take you home when you passed out last night.”
    “Really? I don’t remember any of it.” Jill seems surprised. Then she asks: “Are you going to see him again?”
    “I don’t know. Probably not.” Eddie decides that there is nothing more he would like to say about Ralph.
    “Sometimes, I wish I could live the way you do.” Jill sighs.
    On the train they keep quiet. Jill is reading again. Neither is Eddie in a mood for more conversation. He looks out of the window and sees the barren winter fields, church spires and snow-capped peaks quickly passing by. He imagines how different they would look when spring comes. Then he thinks about Berlin and wonders what awaits him ahead.

Wednesday, December 11, 2013

誓言

1997.March
梦想中的二十岁
我肩负背囊在大陆上漂泊
从一个城市到另一个城市
从一个村庄到另一个村庄
我曾躺在田野里
感受土壤的原始与结实
也曾在树林里奔跑呼喊
向山神表明自己斗志昂扬
在这些旅程里
陌生人总会展示友好
连不起眼的凡夫俗子
也会变成吟游诗人与我共同歌唱
我风餐露宿日夜兼程
仿佛漂泊只有一次
我披星戴月废寝忘食
自知青春之后便是无可奈何的衰老与死亡

如今我已过了二十岁
在南欧的小镇上面对烛光
我冥思苦想
窗外春夜已经降临
窗内二十岁的梦想
悄然而回


I am twenty in my dream
Drifting with backpack between the continents
From one city to another city
From one village to another village
I once lie in the boundless fields
Trying to understand the soil and its primitives
I once run madly in the thick forest
Demonstrating to the mountain my young and fighting spirit
In these journeys
All the strangers are eager to show me their hospitality
Even the most boring souls
Are converted to poets and sing with me
I walk day and night, reaching as far as I can
As if there is only one trip in my life
I forget how to sleep and when to eat
Knowing that after youth there is only aging and dying
Now I am over twenty
I am wakened by the spring rain  of Walldorf, southern Germany.
 I light up the candle
And watch it burning to its end. 
Outside the window
The morning is coming
Inside my room
My old dream in reviving in the dim light